A bloody portrait

A bloody portrait

In today’s attempt to divert attention to the dire political and economic situation of the English Empire/Untied Kingdom, the media are today awash with the story of the unveiling of a portrait of Mr Charles Philip Arthur Georg Mountbatten-Windsor, frequently referred to by the gullible as King Charles.

Here’s the BBC’s example.

Here’s what all the fuss is about.

The new portrait of Charles Philip Arthur Georg Mountbatten-Windsor looking flushed

The BBC also records varying public reactions to the portrait, as long as they do not stray from the sycophantic.

Many were initially taken aback by the vivid red colour with some saying it looked like fire. Others described the painting as “unexpected” but “modern”.

However, not so much sycophancy exists on social media where much more republican sentiment and an alterative reading of history were apparent, as in a post on X/Twitter (or whatever the man-baby called Musk is calling it this week. Ed.) by Sandra Eckersley.

Post reads - Remarkable painting of King Charles with the unexpected subtext of Colonial British History. Soaked in blood & gore yet with a butterfly on his shoulder. As Bart Simpson once said ‘nobody suspects a butterfly’. Clever piece, beautifully executed. Great Art.

Your ‘umble scribe believes Ms Eckersley shares his view of colonial English/British history, a series of crimes against humanity lasting several centuries, involving invasion, murder, theft, exploitation, expropriation and slavery to name but a few offences on the charge sheet.

Needless to say, Mr Mountbatten-Windsor is rather pleased with his new portrait, apparently unworried about being depicted as wallowing in a bloodbath.
Author: Steve Woods

Generic carbon-based humanoid life form.