Oddities

  • American Idiots

    Another day, another social media post showing how unaware some people are of the world about them, particularly in relation to popular music and politics.

    Green Day is an American rock band with a reputation of not being afraid to include political content in their lyrics.

    Take the song American Idiot, for instance.


    Released in 2004, it’s a protest song critical of the policies of the then US President, one George W. Bush, particularly his response to the atrocities of September 11 and his subsequent launch of the so-called War on Terror. It clearly went down well upon release as it was nominated for four 2005 Grammy Awards: Record of the Year, Best Rock Performance by a Duo or Group with Vocal, Best Rock Song and Best Music Video. According to Wikipedia, it is considered one of the band’s signature songs.

    As a prominent element of Green Day’s discography, the band performed it on ABC’s broadcast of Dick Clark’s New Year’s Rockin’ Eve With Ryan Seacrest, but with a modern update, used the opportunity to call out Trump supporters by changing one word in the original lyrics, amending the line “I’m not part of a redneck agenda” to “I’m not part of the MAGA agenda“.

    This did not go down well with the right-leaning part of the populace of the 50 states, who denounced the band on social media.

    Then there were those like the gentleman in the screenshot* below, who seems totally oblivious to the blatantly political content of the original song or did not engage brain before placing fingers on keyboard and posting the following,an action which resulted in him ending up with his foot firmly inserted in his mouth.

    Post reads - You know the more I thought about it, why did Green Day have to insert politics into their performance of American Idiot? We're trying to get away from that for a few hours.

    For the benefit of Mr Starzynski and his like, your ‘umble scribe has transcribed the full, original lyrics of American Idiot below. 😀

    Don’t wanna be an American idiot
    Don’t want a nation under the new media
    And can you hear the sound of hysteria?
    The subliminal mind fuck America

    Welcome to a new kind of tension
    All across the alienation
    Where everything isn’t meant to be okay
    Television dreams of tomorrow
    We’re not the ones who’re meant to follow
    For that’s enough to argue

    Well maybe I’m the faggot America
    I’m not a part of a redneck agenda
    Now everybody do the propaganda
    And sing along to the age of paranoia

    Welcome to a new kind of tension
    All across the alienation
    Where everything isn’t meant to be okay
    Television dreams of tomorrow
    We’re not the ones who’re meant to follow
    For that’s enough to argue

    Don’t want to be an American idiot
    One nation controlled by the media
    Information age of hysteria
    It’s calling out to idiot America

    Welcome to a new kind of tension
    All across the alienation
    Where everything isn’t meant to be okay
    Television dreams of tomorrow
    We’re not the ones who’re meant to follow
    For that’s enough to argue

    Have a Happy New Year, y’all!

    * = Courtesy of George Takei‘s Mastodon account.

  • ‘American’ art and architecture

    Many years ago, your ‘umble scribe remembers a fellow pupil in German class being admonished as follows by Mr. Wreford, our teacher: “Boy, you are arrogant in your ignorance; and ignorant in your arrogance!

    That same mixture of arrogance and ignorance can still be found today: if anything more easily thanks to social media

    .

    Which brings us to Twitter – now rebranded X by rich man-baby Elon Musk – and the account of Jesse Kelly, the conservative talk show host of The Jesse Kelly talk radio show.

    Being a professed conservative, Jesse is naturally a very patriotic man, as can be seen from the following tweet.

    Post reads: 
People love to sound sophisticated and brag about European art and architecture. I’ve seen America’s and I’ve seen what they’ve got. Theirs can’t touch ours.

    American art and architecture, Jesse?

    Somehow you failed to engage brain before tweeting and have ended up with you foot lodged firmly in your mouth.

    In case Mr Walker happens to be passing, here’s a quick history lesson on the Statue of Liberty or Liberty Enlightening the World or even a Liberté éclairant le monde for reasons which will soon become all too apparent.

    The statue itself is a colossal neoclassical sculpture on Liberty Island in New York Harbor in New York City, which was was dedicated on October 28, 1886.

    So far, so American.

    Now things start to change, so pay close attention, Jesse! 😀

    The statue is a figure of Libertas, the Roman goddess of liberty holds a torch above her head with her right hand, whilst in her left hand she carries a tablet inscribed JULY IV MDCCLXXVI (July 4, 1776, in Roman numerals), the date of the U.S. Declaration of Independence. A broken chain and shackle lie at her feet as she walks forward, commemorating the national abolition of slavery following the American Civil War. After its dedication, the statue became a symbol of freedom and of the United States, particularly welcoming to impoverished European immigrants arriving by sea.

    There are still more European connections to come, so don’t nod off just yet, Jesse!

    The statue was designed by the French sculptor Frédéric Auguste Bartholdi the metal framework on which its copper outer skin was hung was built by Gustave Eiffel. yet another Frenchman Jesse might just have heard of due to some ironmongery he left lying about in central Paris. That’s Paris, France not Paris TX, by the way, and should not be confused with the 1984 film of the same name by German director Wim Wenders.

    Just one more little history lesson on the Statue of Liberty left now, Jesse.

    The heavy Gallic references might provide a hint of what it might be: the statue itself was a gift to the USA from the people of France. Where else?

    Update 28/12/23

    Your correspondent is not the only person to have pointed out Kelly’s mistake, as reported by Raw Story, which notes that a community note was added to the Kelly’s original post in which readers added context to Kelly’s image, stating very much the same as above, but in more temperate tones.

    However, even this gentle correction did not go down well with the MAGA mouthpiece, who responded as shown below.

    Kelly's new tweet reads: I thought [Elon Musk] taking over would let freedom ring on this site. Guess I was wrong. Sorry, but these colors don’t run.

    Your colors may not run, Jesse, but here’s a bit of free advice: when you are in a hole, particularly one you’ve excavated all on your own, stop digging and put the shovel down. 😀

  • “Much lover,” my luvver?

    Further evidence arrives today of the continuing decline of journalistic standards at Reach plc titles – already a bar so low it’s in danger of touching the ground.

    The proof: the author of this piece in today’s Bristol (Evening) Post/Live cannot even spell one of the title’s favourite clichés – much-loved – opting for a Bristolian sounding but meaningless much lover instead.

    Headline - Tributes after much lover Antiques Roadshow expert Henry Sandon dies

    What is even more surprising is that the author is an award-winner within the journalistic trade.

    If the qualityu control for press articles is as low as that down at Bristol’s Temple Way Ministry of Truth, your ‘umble scribe wonders just how much lower it must be where gongs for hacks are involved… :-D.

  • Seasonal pedantry

    It’s that time of year again and, much to the discomfiture of my dear sister, Slade and Wizzard are busy filling the space in the Temples of Mammon with their decades-old guaranteed pension payment ‘Christmas’ songs, whilst in less venal environments, ‘Bah! Humbug!’ is being exclaimed by curmudgeons embracing their inner Ebenezer Scrooge and in yet other spaces, carols are being sung; and not just in church either.

    According to Wikipedia, the English word carol is derived from the Old French word carole, a circle dance accompanied by singers. Carole itself is derived from the Latin choraula. Carols were very popular as dance songs from the 1150s to the 1350s, after which their use expanded as processional songs sung during festivals, whilst others were written to accompany religious mystery plays (such as the “Coventry Carol“, written before 1534).

    Just as in normal speech, punctuation is important in singing as it determines how the words are to be sung and with what emphasis.

    How many readers have noted the comma in God rest you merry, gentlemen? The comma is essential to denote that the menfolk in question are being wished a merry time, which is a somewhat different prospect from what is brought to mind by the comma-less merry gentlemen who have clearly been indulging in Christmas cheer and probably need a lie-down and a nap.

    Here’s a handy video to explain the pendantry.


    For those who doubt the existence of the comma, here’s the sheet music for confirmation.

    Sheet music for God rest you merry, gentlemen.
    Image courtesy of Wikimedia Commons.

    Tip o’ the hat: David Allen Green

  • Steam returns to LWH

    Lawrence Hill station (LWH), the first/last stop into and out of Bristol Temple Meads on the Severn Beach line, has been serving the travelling public since 8 September 1863 when services began on the Bristol and South Wales Union Railway to New Passage Pier north of the city on the banks of the River estuary.

    For most of that time, services would have been hauled by steam locomotive, so there was more than a whiff of coal smoke, steam and nostalgia when your ‘umble scribe alighted from the bus to see a steam-hauled special complete with rolling stock in British Railways brown and cream livery pull up at platform 1.

    Earl of Mount Edgcumbe steam locomotive at LWH

    The train had been reversed up the line – note the rear red lamp on the front of the locomotive – so that the steam locomotive – the Earl of Mount Edgcumbe – could be turned around to haul the coaches back into Temple Meads one mile away.

    The locomotive starts to haul the carriages back towards Temple Meads.

    Eagle-eyed readers will note that the front of the locomotive in the second photo is showing a white light, not its previous red lamp.

  • Lookalikes – Eric and Leonardo

    Newsweek in the United States reports that Eric Trump’s recent comment comparing his family’s assets to the Mona Lisa amid their ongoing civil fraud trial in New York has spawned a wave of mockery across social media.

    Disgraced former president Donald John Trump and his three adult children – Ivanka, Donald Jr. and the aforementioned Eric are accused of frequently inflating The Donald’s own net worth and the value of his assets by billions of dollars from 2011 to 2021 to secure better deals and loans. Trump and his children have dismissed the accusations and maintained their innocence, accusing prosecutors of being politically motivated and attempting to harm the Dunning-Kruger effect’s candidate’s 2024 presidential campaign.

    Earlier this week Eric Trump – hardly one of the world’s towering intellects – claimed that the Trump family properties at play in the civil fraud trial are “worth a fortune” and called them “Mona Lisas of the real estate world.

    Below in true Private Eye style, the Trump Tower in New York and Leonardo’s famous painting are placed side by side, so readers can draw their own conclusions as to which of them are of greater value to the human race as a whole.

    On the left the Mona Lisa with the caption Trump Tower, New York. On the right the New York Trump Tower captioned Da Vinci's Mona Lisa
  • Padlocks and Pero

    One of the many bridges that crosses Bristol’s city docks is Pero’s Bridge which spans St Augustine’s Reach, formerly St Augustine’s Trench. It is a pedestrian bascule bridge, linking Queen Square on the eastern side and Millennium Square on the west.

    Pero's Bridge over Bristol city docks

    It was opened formally in 1999 by Paul Boateng MP, then a Home Office minister.

    The bridge is named after Pero, also known as Pero Jones, who lived from around 1753 to 1798, arriving in Bristol from Nevis in the Caribbean in 1783, as the slave of the merchant John Pinney (1740–1818) at 7 Great George Street.

    Hundreds of people now attach padlocks – so-called ‘lovelocks’ – to the bridge as a sign of affection to each other. This is a practice that began on the Pont des Arts bridge in Paris.

    Padlocks attached to the parapet railings of Pero's Bridge

    The city council does not technically allow padlocks on the bridge, but they are not routinely removed, and over the years hundreds – possibly thousands – have been attached to it, which could just affect the proper operation of the bridge.

    Your ‘umble scribe wonders if those who attach padlocks – a means of confinement and restraint -to the bridge have really thought through the implications of their action. It is, after all, named in memory of an enslaved person.

    Moreover, your correspondent is not the only person with misgivings.

    A petition has been launched by Helen Tierney calling on the Mayor of Bristol to order the removal of the padlocks and to ban any more being placed on there. The petition reads as follows:

    To Marvin Rees, Mayor of Bristol. In the heart of Bristol is a pedestrian bridge crossing the harbour. The City Council agreed the name Pero’s Bridge to honour a young enslaved African, Pero Jones, who in the 18th century was sold into slavery aged 12 & brought by his ‘owner’ to live in Bristol. Pero was never granted his freedom & died enslaved. A tiny plaque by the bridge tells this story.
    Pero’s Bridge is now defaced with thousands of padlocks, so called ‘lovelocks’ locked on to its structure. The keys most likely dropped into the water below. Only a few steps from the bridge is the place where, in 2020, the statue of slave trader Edward Colston was thrown into the harbour. I call upon the Mayor & City Councillors of Bristol to remove these hideous padlocks, not symbols of love at all but of oppression down the centuries, of enslaved people chained & padlocked with the keys thrown away, those people disrespected still today in the very place where they should be honoured.

    Beneath the petition, Ms Tierney has added: “Pero’s Bridge is named after an enslaved person, someone our city chose to honour by naming the bridge for him. To have it weighed down by the very symbols of oppression disrespects his memory“, to which your ‘umble scribe would add that those affixing padlocks to the bridge have clearly considered the implications of their action.

    Sign the petition here.

  • Shropshire Star exclusive: donkey has waist

    The Shropshire Star is a local newspaper serving the county where your ‘umble scribe was born. However, its role in the field of science – and the discipline of asinine anatomy in particular – has not previously been recognised.

    Until now, that is.

    On Friday the Star carried a report of a donkey with its back legs and rear stuck in a storm drain somewhere undisclosed in the vicinity of Market Drayton, your correspondent’s home town.

    The incident was attended by crews from Market Drayton, Telford Central and Wellington fire stations, who were able to extract the donkey called Amigo from the drain.

    The Star was so pleased with its contribution to asinine anatomy and veterinary science that it incorporated it into its headline: Firefighters rush to rescue donkey stuck waist-deep in storm drain,

    Image courtesy of Wikimedia Commons
    Here’s a donkey. Spot the waist.
    Image courtesy of Wikimedia Commons.

    There are two dictionary definitions of waist, one pertaining to anatomy, the other to apparel. Neither mentions donkeys:

    • the part of the body above and slightly narrower than the hips; and
    • the part of a piece of clothing that goes around or covers the area between the hips and the ribs.

    The Guardian also covered the story. Curiously, its account fails to mention Amigo’s waist. 😀

  • Dumb Britain abuses 999 service

    According to Wikipedia, “999 is an official emergency telephone number in a number of countries which allows the caller to contact emergency services for emergency assistance“, with approximately 35 million calls being made per year.

    The English Empire (which some still call the United Kingdom. Ed.) uses the emergency number to provide a certain number of emergency services – ambulance, fire brigade, police and coastguard being the main ones, as well as – depending on location – lifeboat, mountain rescue, cave rescue, mine rescue and bomb disposal.

    However, and this is quite a significant however, one of the services not offered is advising the hard of thinking where they can get a haircut in the wee small hours, as the Bristol Post duly reported after reading Avon & Somerset Constabulary’s social media feed on X, formerly known as Twitter before man-baby Elon Musk spent his pocket money on the company.

    The post reads:

    999 call: Caller has stated he is in an emergency, as his local barbers are closed at 01:00am. Upon reflection, the caller agreed that it is unlikely that any barbers would be open at this time, and that this was not a Police matter.
    Tweet from Avon and Somerset Police Control Room reads 999 call: Caller has stated he is in an emergency, as his local barbers are closed at 01:00am. Upon reflection, the caller agreed that it is unlikely that any barbers would be open at this time, and that this was not a Police matter.

    The tweet was sent by Mr Plod as part of International Control Room Week which aims to highlight the work done by people working in 999 control rooms across the emergency services.

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